I get paid to figure it out.

About Social Alchemy Cultural Strategy Experience Design Creative Consultant Project Management Other Relevant Magical Stuff

People pay me to figure out what no one else has been able to name yet.

(Due to an alchemy of cultural fluency, an anthropologist's eye for what moves people, and an almost inconvenient ability to walk into any room and understand its frequency.)

Ready?

hello@carladurandisse.com

Fine. I’ll answer it.

The tagline on my website says: "I get paid to figure it out."

I'm a cultural strategist and social alchemist, so this is true. Figuring things out is my actual job in a sense. People pay me because I see what hasn't been named yet. If you don't know how to reach your audience, I'll find the door. If you don't know what your brand sounds like in a room full of Black creatives, I'll tell you. If you don't know why your event felt flat despite the budget, I already know why.

Because of this, I get one question more than any other:

"But what exactly do you do?"

Or worse:

"So are you like... an event planner?"

Here's the honest answer.

I am what happens when a cultural anthropologist, a brand strategist, a creative director, an archivist, a social curator, and a thought partner all show up in the same body and refuse to pick just one. I’ve been hired to research the Civil Rights Movement and make it visceral for a generation that wasn't there. I’ve been hired to tell a luxury brand why their activations weren’t landing, and I’ve also been hired to walk into a founder's vision and hand them back a brand identity they didn't know they were missing.

None of those are the same job. All of them are exactly what I do.

So! The real answer is: I help people and brands find their place in culture, and hold it with intention. I do it through strategy, through experience design, through research, through the way a room smells and through designing the arc of a conversation in the moment two people meet who were always supposed to.

I call it Social Alchemy. But, does this really need a name, when the impact is the same?


And for the second most asked question I get is…

"Ok, but what industry are you in?"

And I understand why. Industries are comfortable. They come with job titles, rate cards, LinkedIn categories, and the ability to explain someone at a dinner party without having to pause and think.

I do not come with any of those things.

Here is an incomplete list of industries I have worked in: civil rights history. Film and entertainment. Luxury lifestyle. Psychosocial education. Tech. Music. Nonprofit. Brand marketing. Hospitality. Fine art. Fashion.

The way people think, feel, gather, grieve, celebrate, spend, protest, create, and connect… does not respect industry lines. It doesn't stay in its lane. It bleeds through categories, crosses demographics, shows up where no one expected it, and disappears from places that assumed it was permanent.

My job is to track that movement. To understand it before the data confirms it. To help brands and organizations find their place inside it before someone else claims the territory first. So when someone asks me what industry I'm in, the honest answer is “all of them” (mostly). Because culture doesn't pick an industry, and neither do I!

"I don't know how I'm going to do this project. But I know I can't do it without you." — Ebony F., Creative Director, Selma to Montgomery Virtual March Experience.

She had never given this job to anyone before. Neither had I.

I delivered 16 pages of archival material in 48 hours.

A 5-episode immersive walking podcast produced for the 60th anniversary of the Selma to Montgomery marches, designed to be experienced during a live 5k commemoration. The podcast needed to feel like being there. That meant sourcing the real thing— firsthand voices, authentic Freedom Songs, oral histories, and written testimonials from the people who actually marched. Without the archives, there was no podcast. Without the podcast, there was no experience.

The Inn

"You’re like a creative Swiss army knife." — Shenikwa C., Carr Culture Collective.

A multi-city experiential series bringing together entrepreneurs, creatives, activists, and changemakers in luxury accommodations during the most significant cultural moments of the year. The Inn's philosophy is simple: the real conversations, the ones that actually change things, happen when the right people share a meal, not a conference room. My job was to build the programming that made those moments possible across three cities and three very different rooms.


The Guest House DC

“While I appreciate the insight, I'm really just paying for your vibes”- Larry B. The Guest House DC

The Guest House DC is a cultural retreat and lifestyle concept seeking to become a global destination for elevated experiences at the intersection of travel, art, and wellness. The CEO had the vision. What he needed was someone who could see it clearly enough to build the architecture around it — and turn an inspiring idea into a brand the world could understand, feel, and want to be part of.